HIGH MESHES

HIGH MESHES is the creation of a micro community of real people scanned in 3D by photogrammetry. This information constitutes a database that feeds artificial intelligence software. This brings bodies together based on their purely numerical information without regard to racial, sexual, religious, political or cultural issues.

There are two stages of production of HIGH MESHES. The first is a monumental installation which aims to photograph naked, voluntary subjects. An approach that speaks of collective intimacy and digital birth. The installation is a cocoon in organic colors that invites the viewer to register the reliefs of his body. By assembling these individuals whose alterities here take on a trigonometric sense, Solimán López comes, in a second step, to compose new forms thanks to AI, demonstrating the possibility of a world without discrimination.

The new utopian communities of the artist composed of more than 150,000,000 polygons are exhibited from several angles, these new geometric volumes devoid of any soul question the exhibition of new creatures in history. The physical movement around and in the material introduces the viewer sometimes as a voyeur, sometimes as a witness or even sometimes taking on the role of the mad scientist in his virtual laboratory. The piece High Meshes offers a poetic immersion in Virtual Reality, in 3D, impressions, augmented reality or immersive installations.